{"id":2643,"date":"2025-09-16T05:45:35","date_gmt":"2025-09-16T03:45:35","guid":{"rendered":"https:\/\/taunale.de\/?page_id=2643"},"modified":"2025-09-20T05:23:50","modified_gmt":"2025-09-20T03:23:50","slug":"festival-memories-2024","status":"publish","type":"page","link":"https:\/\/taunale.de\/en\/festival-memories-2024\/","title":{"rendered":"Festival Memories 2024"},"content":{"rendered":"

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Festival Memories
2024<\/strong><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=“off|off|off“ _builder_version=“4.27.4″ _module_preset=“default“ custom_padding=“30px||30px||false|false“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_gallery gallery_ids=“796,797,798,799,800,801,802,803,804,805,806,807,808,809,810,811″ gallery_orderby=“rand“ posts_number=“8″ show_title_and_caption=“off“ _builder_version=“4.27.4″ _module_preset=“default“ custom_margin=“0px||0px||false|false“ custom_padding=“0px||0px||false|false“ global_colors_info=“{}“][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“RGBA(255,255,255,0)“ global_colors_info=“{}“][et_pb_row _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text admin_label=“Download Programmheft (deutsch)“ _builder_version=“4.23.1″ _module_preset=“ad611074-ee31-4c6b-b350-21400cc647f2″ global_colors_info=“{}“]<\/p>\n

Download Programmheft (deutsch)<\/strong><\/a><\/p>\n

[\/et_pb_text][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/Programmuebersicht-24-08-06-1.jpg“ title_text=“Programmu\u0308bersicht 24-08-06″ show_in_lightbox=“on“ admin_label=“Programm\u00fcbersicht“ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#fafafa“ background_enable_image=“off“ global_colors_info=“{}“][et_pb_row admin_label=“Jury“ _builder_version=“4.21.0″ _module_preset=“default“ custom_margin=“20px||||false|false“ custom_padding=“||0px||false|false“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text module_id=“Coole Filme“ _builder_version=“4.27.4″ _module_preset=“default“ text_font=“||||||||“ text_text_color=“#303030″ text_line_height=“1.6em“ header_font=“|||on|||||“ header_text_align=“center“ header_text_color=“#303030″ header_font_size=“60px“ header_letter_spacing=“6px“ header_2_font=“|||on|||||“ header_2_text_align=“center“ header_2_font_size=“48px“ header_2_letter_spacing=“6px“ header_3_font_size=“21px“ header_3_line_height=“1.5em“ custom_margin=“30px||30px||true|false“ header_font_size_tablet=“60px“ header_font_size_phone=“48px“ header_font_size_last_edited=“on|phone“ header_2_font_size_tablet=“54px“ header_2_font_size_phone=“36px“ header_2_font_size_last_edited=“on|phone“ header_3_line_height_tablet=“1.5em“ header_3_line_height_phone=“1.5em“ header_3_line_height_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

Jury<\/strong><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,1_3,1_3″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“1_3″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/Jerry-Digby-2-1zu1.jpg“ title_text=“Jerry Digby 2 1zu1″ align=“center“ _builder_version=“4.21.0″ _module_preset=“default“ width_tablet=“60%“ width_phone=“60%“ width_last_edited=“on|phone“ module_alignment=“center“ custom_margin=“||15px||false|false“ global_colors_info=“{}“][\/et_pb_image][et_pb_text admin_label=“Jerry Digby“ _builder_version=“4.23.1″ _module_preset=“51f5672d-e791-4eeb-96ac-439e713e7c8b“ background_color=“#FFFFFF“ vertical_offset_tablet=“0″ horizontal_offset_tablet=“0″ text_orientation=“center“ custom_margin=“||||false|false“ custom_padding=“5px|5px|5px|5px|false|false“ z_index_tablet=“0″ text_text_shadow_horizontal_length_tablet=“0px“ text_text_shadow_vertical_length_tablet=“0px“ text_text_shadow_blur_strength_tablet=“1px“ link_text_shadow_horizontal_length_tablet=“0px“ link_text_shadow_vertical_length_tablet=“0px“ link_text_shadow_blur_strength_tablet=“1px“ ul_text_shadow_horizontal_length_tablet=“0px“ ul_text_shadow_vertical_length_tablet=“0px“ ul_text_shadow_blur_strength_tablet=“1px“ ol_text_shadow_horizontal_length_tablet=“0px“ ol_text_shadow_vertical_length_tablet=“0px“ ol_text_shadow_blur_strength_tablet=“1px“ quote_text_shadow_horizontal_length_tablet=“0px“ quote_text_shadow_vertical_length_tablet=“0px“ quote_text_shadow_blur_strength_tablet=“1px“ header_text_shadow_horizontal_length_tablet=“0px“ header_text_shadow_vertical_length_tablet=“0px“ header_text_shadow_blur_strength_tablet=“1px“ header_2_text_shadow_horizontal_length_tablet=“0px“ header_2_text_shadow_vertical_length_tablet=“0px“ header_2_text_shadow_blur_strength_tablet=“1px“ header_3_text_shadow_horizontal_length_tablet=“0px“ header_3_text_shadow_vertical_length_tablet=“0px“ header_3_text_shadow_blur_strength_tablet=“1px“ header_4_text_shadow_horizontal_length_tablet=“0px“ header_4_text_shadow_vertical_length_tablet=“0px“ header_4_text_shadow_blur_strength_tablet=“1px“ header_5_text_shadow_horizontal_length_tablet=“0px“ header_5_text_shadow_vertical_length_tablet=“0px“ header_5_text_shadow_blur_strength_tablet=“1px“ header_6_text_shadow_horizontal_length_tablet=“0px“ header_6_text_shadow_vertical_length_tablet=“0px“ header_6_text_shadow_blur_strength_tablet=“1px“ border_radii=“on|1px|1px|1px|1px“ box_shadow_horizontal_tablet=“0px“ box_shadow_vertical_tablet=“0px“ box_shadow_blur_tablet=“40px“ box_shadow_spread_tablet=“0px“ global_colors_info=“{}“]<\/p>\n

Jerry Digby<\/a><\/strong><\/p>\n

Digby ist preisgekr\u00f6nter Regisseur und Mitbegr\u00fcnder von Baby Lion Media mit Hauptsitz in Los Angeles, Kalifornien. Er zeichnet sich durch die Gestaltung vielf\u00e4ltiger Geschichten in den Bereichen Werbung, Storytelling und Erlebnisfilm aus.<\/p>\n

Digby is a award-winning director and excels in crafting diverse narratives across advertising, storytelling, and experiential filmmaking as the co-founder of Baby Lion Media, headquartered in Los Angeles, CA.<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/Liane-Jessen-500px.jpg“ title_text=“Liane Jessen 500px“ align=“center“ _builder_version=“4.23.1″ _module_preset=“default“ width_tablet=“60%“ width_phone=“60%“ width_last_edited=“on|phone“ module_alignment=“center“ custom_margin=“||15px||false|false“ global_colors_info=“{}“][\/et_pb_image][et_pb_text admin_label=“Liane Jessen“ _builder_version=“4.23.1″ _module_preset=“51f5672d-e791-4eeb-96ac-439e713e7c8b“ background_color=“#FFFFFF“ vertical_offset_tablet=“0″ horizontal_offset_tablet=“0″ text_orientation=“center“ custom_margin=“||||false|false“ custom_padding=“5px|5px|5px|5px|false|false“ z_index_tablet=“0″ text_text_shadow_horizontal_length_tablet=“0px“ text_text_shadow_vertical_length_tablet=“0px“ text_text_shadow_blur_strength_tablet=“1px“ link_text_shadow_horizontal_length_tablet=“0px“ link_text_shadow_vertical_length_tablet=“0px“ link_text_shadow_blur_strength_tablet=“1px“ ul_text_shadow_horizontal_length_tablet=“0px“ ul_text_shadow_vertical_length_tablet=“0px“ ul_text_shadow_blur_strength_tablet=“1px“ ol_text_shadow_horizontal_length_tablet=“0px“ ol_text_shadow_vertical_length_tablet=“0px“ ol_text_shadow_blur_strength_tablet=“1px“ quote_text_shadow_horizontal_length_tablet=“0px“ quote_text_shadow_vertical_length_tablet=“0px“ quote_text_shadow_blur_strength_tablet=“1px“ header_text_shadow_horizontal_length_tablet=“0px“ header_text_shadow_vertical_length_tablet=“0px“ header_text_shadow_blur_strength_tablet=“1px“ header_2_text_shadow_horizontal_length_tablet=“0px“ header_2_text_shadow_vertical_length_tablet=“0px“ header_2_text_shadow_blur_strength_tablet=“1px“ header_3_text_shadow_horizontal_length_tablet=“0px“ header_3_text_shadow_vertical_length_tablet=“0px“ header_3_text_shadow_blur_strength_tablet=“1px“ header_4_text_shadow_horizontal_length_tablet=“0px“ header_4_text_shadow_vertical_length_tablet=“0px“ header_4_text_shadow_blur_strength_tablet=“1px“ header_5_text_shadow_horizontal_length_tablet=“0px“ header_5_text_shadow_vertical_length_tablet=“0px“ header_5_text_shadow_blur_strength_tablet=“1px“ header_6_text_shadow_horizontal_length_tablet=“0px“ header_6_text_shadow_vertical_length_tablet=“0px“ header_6_text_shadow_blur_strength_tablet=“1px“ box_shadow_horizontal_tablet=“0px“ box_shadow_vertical_tablet=“0px“ box_shadow_blur_tablet=“40px“ box_shadow_spread_tablet=“0px“ global_colors_info=“{}“]<\/p>\n

Liane Jessen<\/b><\/a><\/p>\n

Jessen <\/span><\/span>ist eine bekannte deutsche <\/span><\/span>Fernsehredakteu<\/span><\/span>rin<\/span><\/span>. Mit ihrer Redaktion <\/span><\/span>produzierte<\/span><\/span> sie Fernsehfilme, einige Kino-Koproduktionen und Filme im Deb\u00fct- und Nachwuchsbereich sowie die Folgen des <\/span><\/span>Tatorts<\/span><\/span><\/a>\u202fdes <\/span><\/span>Hessischen Rundfunks<\/span><\/span>.<\/span><\/span><\/p>\n

Jessen is a well-known German television editor. With her editorial team, she has produced television films, several cinema co-productions and films in the debut and newcomer genres, as well as episodes of Hessischer Rundfunk’s Tatort.<\/em><\/p>\n

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Christoph Thoke<\/b><\/a><\/p>\n

Thoke ist deutscher Produzent, Manager und Honorar Professor. W\u00e4hrend seiner Arbeit f\u00fcr ein bekanntes deutschen Film- und Fernsehstudios war er u.a. an der Produktion des Welterfolgs „What Women Want“ mit Mel Gibson in der Hauptrolle beteiligt. Sp\u00e4ter wechselte Thoke in die Selbst\u00e4ndigkeit und produzierte Filme, die in Cannes, Venedig und in vielen Festivals weltweit ausgezeichnet und f\u00fcr den Europ\u00e4ischen Filmpreis, den Golden Globe und die Academy Awards nominiert wurden. Thoke diente in einer Vielzahl von internationalen Film-Jurys und ist Mitglied in der Jury der FBW, der \u00e4ltesten deutschen Filmf\u00f6rderorganisation.<\/p>\n

Thoke is a German producer, manager and honorary professor. While working for a well-known German film and television studio, he was involved in the production of the worldwide success „What Women Want“ starring Mel Gibson. Thoke later went freelance and produced films that won awards at Cannes, Venice and many festivals worldwide and were nominated for the European Film Awards, the Golden Globe and the Academy Awards. Thoke has served on a number of international film juries and is a member of the jury of the FBW, Germany’s oldest film funding organization.<\/em><\/p>\n

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Barbara Philipp<\/b><\/a><\/p>\n

Deutsche Schauspielerin und H\u00f6rspielsprecherin.<\/p>\n

Filme: Doktor Ballouz, Tatort – Murot und das 1000-j\u00e4hrige Reich, 791 km, Tod in Mombasa, Tatort – Murot und das Paradies, Vena.<\/p>\n

German actress and voice over artist.<\/em><\/p>\n

Films: Doktor Ballouz, Tatort – Murot und das 1000-j\u00e4hrige Reich, 791 km, Tod in Mombasa, Tatort – Murot und das Paradies, Vena.<\/em><\/p>\n

\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.16″ _module_preset=“default“ global_colors_info=“{}“][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/bettina-borgfeld-e1714490506340.jpg“ title_text=“bettina borgfeld“ align=“center“ _builder_version=“4.23.1″ _module_preset=“default“ width=“100%“ max_height=“450px“ global_colors_info=“{}“][\/et_pb_image][et_pb_text admin_label=“Bettina Borgfeld“ _builder_version=“4.23.1″ _module_preset=“51f5672d-e791-4eeb-96ac-439e713e7c8b“ background_color=“#FFFFFF“ vertical_offset_tablet=“0″ horizontal_offset_tablet=“0″ text_orientation=“center“ custom_margin=“||||false|false“ custom_padding=“5px|5px|5px|5px|false|false“ z_index_tablet=“0″ text_text_shadow_horizontal_length_tablet=“0px“ text_text_shadow_vertical_length_tablet=“0px“ text_text_shadow_blur_strength_tablet=“1px“ link_text_shadow_horizontal_length_tablet=“0px“ link_text_shadow_vertical_length_tablet=“0px“ link_text_shadow_blur_strength_tablet=“1px“ ul_text_shadow_horizontal_length_tablet=“0px“ ul_text_shadow_vertical_length_tablet=“0px“ ul_text_shadow_blur_strength_tablet=“1px“ ol_text_shadow_horizontal_length_tablet=“0px“ ol_text_shadow_vertical_length_tablet=“0px“ ol_text_shadow_blur_strength_tablet=“1px“ quote_text_shadow_horizontal_length_tablet=“0px“ quote_text_shadow_vertical_length_tablet=“0px“ quote_text_shadow_blur_strength_tablet=“1px“ header_text_shadow_horizontal_length_tablet=“0px“ header_text_shadow_vertical_length_tablet=“0px“ header_text_shadow_blur_strength_tablet=“1px“ header_2_text_shadow_horizontal_length_tablet=“0px“ header_2_text_shadow_vertical_length_tablet=“0px“ header_2_text_shadow_blur_strength_tablet=“1px“ header_3_text_shadow_horizontal_length_tablet=“0px“ header_3_text_shadow_vertical_length_tablet=“0px“ header_3_text_shadow_blur_strength_tablet=“1px“ header_4_text_shadow_horizontal_length_tablet=“0px“ header_4_text_shadow_vertical_length_tablet=“0px“ header_4_text_shadow_blur_strength_tablet=“1px“ header_5_text_shadow_horizontal_length_tablet=“0px“ header_5_text_shadow_vertical_length_tablet=“0px“ header_5_text_shadow_blur_strength_tablet=“1px“ header_6_text_shadow_horizontal_length_tablet=“0px“ header_6_text_shadow_vertical_length_tablet=“0px“ header_6_text_shadow_blur_strength_tablet=“1px“ box_shadow_horizontal_tablet=“0px“ box_shadow_vertical_tablet=“0px“ box_shadow_blur_tablet=“40px“ box_shadow_spread_tablet=“0px“ global_colors_info=“{}“]<\/p>\n

Bettina Borgfeld<\/b><\/a><\/p>\n

Bettina Borgfeld ist freischaffende Regisseurin und Bildgestalterin f\u00fcr Dokumentarfilme im Kino und Fernsehen.\u00a0<\/span>Ihre Filme wurden mit zahlreichen Preisen ausgezeichnet, wie u.a.<\/span>\u00a0<\/span>SchussWechsel<\/i> (2005), <\/span>Raising Resistance<\/i> (2011), und\u00a0<\/span>Was kostet die Welt <\/i>(2018).<\/span><\/p>\n

Bettina Borgfeld is a freelance director and image designer for documentary films for cinema and television. Her films have won numerous awards, including SchussWechsel (2005), Raising Resistance (2011) and Was kostet die Welt (2018).<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_color=“#fafafa“ global_colors_info=“{}“][et_pb_row _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text module_id=“Coole Filme“ _builder_version=“4.27.4″ _module_preset=“default“ text_font=“||||||||“ text_text_color=“#303030″ text_line_height=“1.8em“ header_font=“|||on|||||“ header_text_align=“center“ header_text_color=“#303030″ header_font_size=“60px“ header_letter_spacing=“6px“ header_2_font=“|||on|||||“ header_2_text_align=“center“ header_2_font_size=“48px“ header_2_letter_spacing=“6px“ header_2_line_height=“1.5em“ header_3_font_size=“21px“ header_3_line_height=“1.5em“ custom_margin=“30px||30px||true|false“ hover_enabled=“0″ header_font_size_tablet=“60px“ header_font_size_phone=“48px“ header_font_size_last_edited=“on|phone“ header_2_font_size_tablet=“54px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ header_3_line_height_tablet=“1.5em“ header_3_line_height_phone=“1.5em“ header_3_line_height_last_edited=“on|phone“ global_colors_info=“{}“ content_last_edited=“on|phone“ content_phone=“<\/p>\n

Er\u00f6ffnungs-
film 2024<\/strong><\/h2>\n

08. August 2024<\/span>
w\u00e4hrend der Er\u00f6ffnungs-Gala<\/strong><\/p>\n

<\/strong><\/strong><\/p>\n

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Er\u00f6ffnungsfilm 2024<\/strong><\/h2>\n

08. August 2024<\/span>
w\u00e4hrend der Er\u00f6ffnungs-Gala<\/strong><\/p>\n

<\/strong><\/strong><\/p>\n

„]<\/p>\n

Er\u00f6ffnungsfilm 2024<\/strong><\/h2>\n

08. August 2024<\/span>
w\u00e4hrend der Er\u00f6ffnungs-Gala<\/strong><\/p>\n

<\/strong><\/strong><\/p>\n

[\/et_pb_text][et_pb_video src=“https:\/\/www.youtube.com\/watch?v=jPpLYZLEbEY“ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ background_enable_image=“off“ global_colors_info=“{}“][et_pb_row _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text module_id=“Coole Filme“ _builder_version=“4.27.4″ _module_preset=“default“ text_font=“||||||||“ text_text_color=“#303030″ text_line_height=“1.6em“ header_font=“|||on|||||“ header_text_align=“center“ header_text_color=“#303030″ header_font_size=“60px“ header_letter_spacing=“6px“ header_2_font=“|||on|||||“ header_2_text_align=“center“ header_2_font_size=“48px“ header_2_letter_spacing=“6px“ header_2_line_height=“1.5em“ header_3_font_size=“21px“ header_3_line_height=“1.5em“ custom_margin=“30px||30px||true|false“ custom_padding=“7px|||||“ header_font_size_tablet=“60px“ header_font_size_phone=“48px“ header_font_size_last_edited=“on|phone“ header_2_font_size_tablet=“54px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ header_3_line_height_tablet=“1.5em“ header_3_line_height_phone=“1.5em“ header_3_line_height_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

Congratulations<\/strong><\/h2>\n

<\/h3>\n

And the winners 2024 are…<\/strong><\/p>\n

<\/strong><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,1_3,1_3″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“1_3″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text admin_label=“Best Feature Film“ _builder_version=“4.27.4″ _module_preset=“d7a73298-dfb3-481b-a9ff-92bcc66ad510″ header_font=“||||||||“ global_colors_info=“{}“]<\/p>\n

Best Feature Film<\/h3>\n

[\/et_pb_text][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/Poster-91d05ff8cf-poster.jpg“ title_text=“Poster 91d05ff8cf-poster“ _builder_version=“4.23.1″ _module_preset=“default“ border_width_all=“2px“ border_color_all=“#FFFFFF“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text admin_label=“Best Short Film“ _builder_version=“4.27.4″ _module_preset=“d7a73298-dfb3-481b-a9ff-92bcc66ad510″ header_font=“||||||||“ global_colors_info=“{}“]<\/p>\n

Best Short Film<\/h3>\n

[\/et_pb_text][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/FFO-1479-Skewered-Poster.jpg“ title_text=“FFO-1479 Skewered Poster“ _builder_version=“4.23.1″ _module_preset=“default“ border_width_all=“2px“ border_color_all=“#FFFFFF“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][et_pb_column type=“1_3″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text admin_label=“Best Film Integration“ _builder_version=“4.27.4″ _module_preset=“d7a73298-dfb3-481b-a9ff-92bcc66ad510″ header_font=“||||||||“ global_colors_info=“{}“]<\/p>\n

Special Price „Integration“<\/h3>\n

[\/et_pb_text][et_pb_image src=“http:\/\/taunale.de\/wp-content\/uploads\/2025\/05\/FFO-1370-The-Illegal-Poster.jpg“ title_text=“FFO-1370 The Illegal Poster“ _builder_version=“4.23.1″ _module_preset=“default“ border_width_all=“2px“ border_color_all=“#FFFFFF“ global_colors_info=“{}“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,1_3,1_3″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“1_3″ _builder_version=“4.23.1″ _module_preset=“default“ global_colors_info=“{}“][et_pb_toggle title=“Laudatio der Jury“ open_toggle_text_color=“#303030″ open_toggle_background_color=“#FFFFFF“ closed_toggle_text_color=“#303030″ closed_toggle_background_color=“#FFFFFF“ admin_label=“Laudatio deutsch“ _builder_version=“4.23.1″ _module_preset=“default“ title_text_color=“#303030″ body_text_color=“#303030″ border_radii=“on|10px|10px|10px|10px“ global_colors_info=“{}“]<\/p>\n

Der Dokumentarfilm His Name is Ray beginnt mit den folgenden Worten des Regisseurs Michael Del Monte: \u201eJeden Tag, wenn ich nach Hause fuhr sah ich den selben Mann betteln, an einer nahen Kreuzung. Eines Tages entschied ich mich, aus dem Auto zu steigen, um mit ihm zu sprechen.\u201c
Unaufgeregt und sehr eindringlich folgt Del Monte dem heroins\u00fcchtigen Ray, der vor dem Leben auf der Stra\u00dfe eine Familie hatte, Segler war und der aufgrund seiner Sucht alles verloren hat. Ray ist ein charismatischer Mensch, dem immer wieder etwas abhanden kommt, der sich nicht mehr wehren kann. Und der am Ende an seiner Sucht stirbt.<\/p>\n

Der kanadischische Regisseur Michael Del Monte, der Regie und zugleich die Kamera f\u00fchrte, fand herausragende Bilder, zur\u00fcckhaltend und zugleich auch sehr intim gelingt es ihm, Ray sowohl erbarmungslos in seiner Sucht zu zeigen und zugleich eine gro\u00dfe N\u00e4he aufzubauen. His Name is Ray bleibt in Erinnerung. Der Film ver\u00e4ndert nachhaltig das Denken. Und den Blick zu Menschen, die am Abgrund stehen.<\/p>\n

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The feature-length documentary His Name is Ray begins with the following words from director Michael Del Monte: „Every time I drove home, I would see the same man panhandling at a nearby intersection. One day I decided to get out of the car and talk to him.“ The canadic director Michael Del Monte follows Ray, a heroin addict who had a family before living on the streets, was a sailor and lost everything because of his addiction, in an unagitated and very haunting way. Charismatic yet vulnerable, Ray can no longer defend himself, he struggles with the relentless impact of his addiction and ultimately succumbs to its devastating effects.<\/p>\n

Michael Del Monte, found outstanding images; in a restrained and at the same time very intimate way, he succeeds in showing Ray both mercilessly in his addiction and at the same time getting close to him. His Name is Ray remains in the memory. The film changes the way we think. And how we look at people who are on the brink.<\/p>\n

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Der Kurzspielfilm Skewered erz\u00e4hlt vom Essen, Lieben und leben lassen. Die englischen Br\u00fcder Nick und Noah Rutter, sowie ihr Produzent Benjamin Richardson wollten sich einen Farce-Spa\u00df machen und haben eine wunderbar verdrehte Geschichte geschrieben, in der das Publikum unter der Regie von Nick Rutter durch unterschiedliche Film-Genres genasf\u00fchrt wird. Kaum meint man, zu wissen, wie der Plot l\u00e4uft, sehen wir unsere Sehgewohnheiten schon wieder get\u00e4uscht – oder eben auch nicht. Mit seinen auch formalen Twists bleibt nur eines: Erwarte das Unerwartete! Gro\u00dfartig erz\u00e4hlt, \u00fcberzeugend gespielt – ein Film, der ein gro\u00dfes Publikum – und den Kurzfilmpreis des Filmfest Oberursel verdient hat.<\/p>\n

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The short feature film Skewered is about eating, loving and letting live. The english brothers Nick and Noah Rutter and their Producer Noah Richardson wanted to have some farcical fun and have written a wonderfully twisted story in which the audience is led through different film genres under the direction of Nick Rutter. Just when we think we know how the story is going to unfold, we see expectations challenged – or not. With its formal twists, only one thing remains: expect the unexpected! Superbly told, convincingly acted – a film that deserves a large audience – and the Oberursel Film Festival Short Film Award.<\/p>\n

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Der Sonderpreis f\u00fcr den besten Film in der Kategorie Integration geht an The Illegal von Amir Kiani<\/p>\n

Die ersten beiden Einstellungen k\u00f6nnten nicht gegens\u00e4tzlicher sein. Auf eine brutale Folterszene in einem anonymen Gef\u00e4ngnis folgt das sonnendurchflutete Bild eine jungen Paares, das in einem Park an einen Baum gelehnt etwas unbeholfen ein Selfie versucht. Zwischen diesen beiden Bildern entwickelt sich eine Geschichte, die von der Abwesenheit des Guten in der Welt erz\u00e4hlt. Irgendwie also genau von unserer Zeit. Zun\u00e4chst geht es ein paar Treppen runter in einen schmuddeliges Kellerraum. Hier steckt ein zynischer Vermieter viel Geld daf\u00fcr ein, dass ein junger Mann in einem kleinen Zimmer bei einer jungen Frau unterkommen kann. Sie braucht das Geld dringend f\u00fcr ihren Drogen. Woher sie sich kennen, wissen wir nicht. Ahmed ist ein politischer Fl\u00fcchtling, dem im Iran die Todesstrafe droht. Die dramatischen Ereignisse zuhause holt er sich auf dem Handy in die vier engen W\u00e4nden nach Kanada. Dabei f\u00fchlt er sich schrecklich, ein Verr\u00e4ter an der eigenen Sache. Seine Vermieterin ist Claire. Sie hat ihr Studium abgebrochen, kaut Fingern\u00e4gel und h\u00e4ngt im gewaltt\u00e4tigen Kreislauf von Sucht und Beschaffungspanik.<\/p>\n

Der Film entfaltet n\u00fcchtern, in tableauartigen, minimalistischen Szenen die Nicht-Beziehung dieser zwei in sich gefangenen Menschen, die das Elend des Anderen nicht auch noch ertragen k\u00f6nnen. Und trotzdem schafft es Regisseur Amir Kiani die beiden mit gro\u00dfer Zuneigung zu zeichnen. In pr\u00e4zise gesetzten, langen Schwarzblenden spielen wir als Zuschauer die Szenen weiter und \u00f6ffnen f\u00fcr uns andere, hoffnungsvollere Blicke in die Geschichte – um dann wieder entt\u00e4uscht zu werden. Gerade als die Verzweiflung allgegenw\u00e4rtig ist, nimmt der Film eine dramaturgisch \u00fcberraschende Wende. Schrill und laut, ausgesprochen anr\u00fchrend und irgendwie auch witzig.<\/p>\n

Der Rotary Club Frankfurt\/Main International freut sich, dem Autor, Regisseur und Produzenten Amir Kiani f\u00fcr die au\u00dfergew\u00f6hnlich intensive Umsetzung des Themas Neben- und Miteinanderlebens den Intergrations-Preis des Filmfest Oberursel \u00fcberreichen zu d\u00fcrfen. Wir w\u00fcnschen Amir Kiani viel Kraft f\u00fcr seine Arbeit und sind gespannt auf seine n\u00e4chsten Filme.<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.18.0″ _module_preset=“default“ custom_margin=“||90px||false|false“ custom_padding=“0px||0px||false|false“ global_colors_info=“{}“][et_pb_row _builder_version=“4.16″ _module_preset=“default“ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.16″ _module_preset=“default“ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“][et_pb_text module_id=“Coole Filme“ _builder_version=“4.27.4″ _module_preset=“default“ text_font=“||||||||“ text_text_color=“#303030″ text_line_height=“1.6em“ header_font=“|||on|||||“ header_text_align=“center“ header_text_color=“#303030″ header_font_size=“60px“ header_letter_spacing=“6px“ header_2_font=“|||on|||||“ header_2_text_align=“center“ header_2_font_size=“48px“ header_2_letter_spacing=“6px“ header_2_line_height=“1.5em“ header_3_font_size=“21px“ header_3_line_height=“1.5em“ custom_margin=“30px||30px||true|false“ header_font_size_tablet=“60px“ header_font_size_phone=“48px“ header_font_size_last_edited=“on|phone“ header_2_font_size_tablet=“54px“ header_2_font_size_phone=“24px“ header_2_font_size_last_edited=“on|phone“ header_3_line_height_tablet=“1.5em“ header_3_line_height_phone=“1.5em“ header_3_line_height_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

Unsere Partner 2024<\/strong><\/h2>\n

<\/strong><\/strong><\/p>\n

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Unsere Unterst\u00fctzer 2024<\/strong><\/h2>\n

<\/strong><\/strong><\/p>\n

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Festival Memories2024Download Programmheft (deutsch)JuryJerry Digby Digby ist preisgekr\u00f6nter Regisseur und Mitbegr\u00fcnder von Baby Lion Media mit Hauptsitz in Los Angeles, Kalifornien. Er zeichnet sich durch die Gestaltung vielf\u00e4ltiger Geschichten in den Bereichen Werbung, Storytelling und Erlebnisfilm aus. Digby is a award-winning director and excels in crafting diverse narratives across advertising, storytelling, and experiential filmmaking as […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2643","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/pages\/2643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/comments?post=2643"}],"version-history":[{"count":5,"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/pages\/2643\/revisions"}],"predecessor-version":[{"id":2706,"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/pages\/2643\/revisions\/2706"}],"wp:attachment":[{"href":"https:\/\/taunale.de\/en\/wp-json\/wp\/v2\/media?parent=2643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}